• 2021. (Lemos, C., Cocharro, D., Bernardes, G.) "Understanding Cross-Genre Rhythmic Audio Compatibility: A Computational Approach". In: Audio Mostly 2021. pp. 272–275. Association for Computing Machinery, NY, USA. [doi]

  • 2021. (Cocharro, D., Bernardes, G., Bernardo, G., Lemos, C.) "A Review of Musical Rhythm Representation and (Dis)similarity in Symbolic and Audio Domains". In: Correia Castilho, L., Dias, R., and Pinho, J.F. (eds.) Perspectives on Music, Sound and Musicology: Research, Education and Practice. pp. 189–208. Springer Int. Publishing. [doi]

  • 2021. (Sioros, G.; Madison, G.; Cocharro, D.; Danielsen, A.; Gouyon, F.) "Syncopated music induces movement: generating testable hypotheses about specific properties of the rhythmic pattern" [under review]

  • 2019. (Bernardes, G. & Cocharro, D.) "Dynamic Music Generation, Audio Analysis-Synthesis Methods". Encyclopedia of Computer Graphics and Games. Springer International Publishing. [doi] [pdf]

  • 2017. (Ramires, A.; Cocharro, D.; Davies, M.E.P.) "An audio-only method for advertisement detection in broadcast television content". In Proc. of RecPad-2017, pp. 21-22, Amadora, Portugal,

  • 2017. (Cocharro, D. & Bernardes, G.) "HarT: Smart Tool for Harmonic Content Transformations". Int. Symposium on Computer Music Multidisciplinary Research, pp. 560-563, Matosinhos, Portugal. (Best demo award). [pdf] [site]

  • 2016. (Bernardes, G., Cocharro, D., Guedes, C., Davies, M.E.P.) "Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space". In ACM Computers in Entertainment - Special Issue on Musical Metacreation. [bib] [pdf] [site] [doi]

  • 2016. (Bernardes, G., Cocharro, D., Caetano, M., Guedes, C., Davies, M.E.P.) "A Multi-Level Tonal Interval Space for Modelling Pitch Relatedness and Musical Dissonance". In Journal of New Music Research, [bib] [pdf] [site]

  • 2015. (Bernardes, G., Cocharro, D., Guedes, C., Davies, M.E.P.) "Conchord: An Application for Generating Musical Harmony by Navigating in a Perceptually Motivated Tonal Interval Space". In Proceedings of the 11th International Symposium on Computer Music Modeling and Retrieval (CMMR), Plymouth, UK. [bib] [pdf] [site]

  • 2014. (Cocharro, D.; Sioros, G.; Caetano, M.; Davies, M.E.P.) "Applying Rhythmic Transformations on Real-Time Audio". In Proceedings of the Simpósio de Informática (INFORUM 2014). [bib]

  • 2014. (D. Cocharro, G. Sioros, M. Caetano, M. Davies) "Real-time Manipulation of Syncopation in Audio Loops". In Proceedings of ICMC/SMC. [bib] [pdf] [site]

  • 2013. (G. Sioros, M. Miron, D. Cocharro, G. Guedes, F. Gouyon) "Syncopalooza: Manipulating the Syncopation in Rhythmic Performances". In International Symposium on Computer Music Multidisciplinary Research. [bib] [pdf]

  • 2013. (G. Madison, G. Sioros, M. Davies, M. Miron, D. Cocharro, F. Gouyon) "Adding syncopation to simple melodies increases the perception of groove". In Conference of the Society for Music Perception and Cognition. [bib] [pdf]

  • 2012. (D. Cocharro) "Kinductor - Conducting in real-time automatic music generation algorithms in MaxMSP". Master Thesis, Faculty of Engineering of the University of Porto, 2012. [pdf] [site]

To check out some demos of the technologies developed in our group please refer to the Software page or the SMC Group website. For more information please follow the given links or refer to the papers.

In the end of 2010 Diogo began working as a research assistant at the Sound and Music Computing Group in INESC TEC.
Projects involved (for further information please follow the given links):